Latest Articles
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Luca Cameli | Daily Life In The Port
This project captures daily life at the port of San Benedetto del Tronto (Italy). Amid panoramic shots of the location, fishermen are shown unloading their fresh catch immediately after docking, while curious passersby look on. Behind the scenes are the retari, retired fishermen who continue to contribute to port life by repairing fishermen's nets.by Kay Ziv -
Giovanna Aryafara | SADHUS
"In the ancient streets and sacred spaces of Kathmandu, I was drawn to the Sadhus, Hindu holy men who have chosen a life removed from material possessions and conventional society. This black-and-white series is less about documenting their appearance and more about the quiet intensity of their presence. Their weathered faces, gestures, and moments of stillness speak of devotion, solitude, and a life shaped by faith."by Kay Ziv -
Nick Dale | Wildlife in Black and White
Dale's professional photography career began in 2013, and since then he has traveled extensively, visiting 37 countries across all seven continents. Much of his work has taken him to Africa, where he has undertaken more than 500 game drives and boat rides. His photography focuses on wildlife, with a strong interest in predators and the energy of animals in their natural environments.by Kay Ziv -
Holger Hoffmann | The Charcoal Brothers and their Wives
Burning charcoal is a welcome source of additional income. Both burn three to four kilns per year. The demand for charcoal is high, and its quality is appreciated. In contrast to the round charcoal kiln, in which logs approximately one meter long are stacked upright in a cone shape on two to three levels around the ignition shaft, in the long kiln thick and thin logs three meters long are stacked horizontally to form a rectangular pile measuring 1.3 by 3.5 meters and approximately 13 meters long.by Kay Ziv -
Holger Hoffmann | Inside Wakhi Houses
For the Wakhi, the willow symbolizes new life because, in spring, it is the first tree to awaken from a long sleep. On the pillars, I see bunches of wheat ears, which are placed there at the beginning of the harvest to pray for a bountiful harvest.by Kay Ziv -
JAMIE JOHNSON | Growing Up Travelling
"I have spent my entire career photographing children all over the world. Over the last several years, I have focused on Irish Travelers who live in caravans on the side of the road or in open fields throughout Ireland. The Traveler community is an Irish nomadic indigenous ethnic minority. There is no recorded date as to when Travelers first came to Ireland."by Kay Ziv -
Geoffrey Agrons | Reunification: An American Photographer in Vietnam
Geoffrey’s work typically explores the uneasy coexistence between human populations and the natural world. He is intrigued by transition and impermanence and favors material that leaves an inchoate emotional residue — the haunting suspicion that we may have forgotten something important in our inattention to the sensual realm. He has come to think of these mementos mori as “melancholigraphs.”by Kay Ziv -
Farid Azadi | Threshold of Becoming
Azadi's work frequently explores the human figure within changing urban environments, examining themes of identity, isolation, transition, visibility, and concealment. Backlighting and high-contrast compositions recur in his visual language, allowing him to move between what is revealed and what remains hidden.by Kay Ziv -
Thibault Gerbaldi | The Island of Offerings
Across Sri Lanka, faith is lived through ritual, discipline, gesture, and place. This series moves from young Buddhist novice monks in Galle to candlelit temple rituals near Kataragama and a natural cave used as a monastery.by Kay Ziv -
Orna Naor | The Holy Fire Ceremony
"As prayers fill the ancient church, a flame is kindled within the aediculae, which many believe mark the resting place of Jesus. This fire, seen as a miraculous gift from the Holy Spirit, becomes a living symbol of Christ’s resurrection."by Kay Ziv -
Aga Szydlik | Voodoo: The Living Spirit of Benin
To witness a Voodoo ceremony is to stand at the threshold between worlds. A lwa descends. It enters a human body — what practitioners call “riding” — and the person is no longer fully themselves. Eyes roll back. Movement becomes convulsive and wild. Words emerge that no one around them understands. The boundary between the living and the invisible has dissolved, if only for a moment.by Kay Ziv -
Holger Hoffmann | Shamans in Tuva
"Over fifty people sit expectantly in a wide circle, at the top of which the ovoo stands. No one pushes, no one speaks loudly. It seems as though the place itself is setting the pace. We are lucky; the ceremony seems to have just begun. “Here,” Michail says quietly, almost more respectfully than usual, pointing to the ovoo. “This is the place of the ancestral spirits.” I pause for a moment, raise my camera, then lower it again. “I first need to understand what’s happening here.”by Kay Ziv -
Ingmar Ostermaier | Industrially Perfected
Nearly eighty years after the liberation of Auschwitz, the site continues to confront us with difficult questions. The buildings remain. The silence remains. And so does the responsibility to remember.by Kay Ziv
Trevor Cole | People and Pastoralism in the Ilemi Triangle
As climate change and increasing aridity transform these fragile landscapes, Cole's photographs offer an intimate and powerful reflection on resilience, cultural heritage, and the enduring bond between people and their animals.
by Kay Ziv
Julien Sunyé | Memories
"Memories" is the photographic chronicle of my journey back. Back to a feeling that has stayed with me. A visceral experience of the landscape.
Existence felt through the sun burning on the skin, the salt left by a wave on top of a lip, the sweat running down the arm—the scent of flowers and the sounds of a summer breeze passing through the reeds."
by Kay Ziv
Gregory Boissy & Delphine Barrais | The Encounter
This collaborative work by photographer Grégory Boissy and journalist Delphine Barrais, combining photography and writing, brings together a series of portraits of traditional artists photographed during several cultural events in French Polynesia: in the Austral Islands in November 2022, at Heiva i Bora Bora in July 2026, and at Nuuroa Fest i Tahiti in August 2026.
by Kay Ziv
Ralf Dreier | Ocean Mood
The project relies heavily on the interplay between time and atmosphere. Through deliberate long exposures, the water's physical movement is distilled into ethereal stillness. The exposure time itself becomes a direct reflection of emotion: the calmer the sea and the internal mood, the longer the exposure.
by Kay Ziv
Roberto Pazzi | An Exclusive Interview
"Every face becomes a narrative, shaped by life, memory, and context, and photography becomes a form of exchange between two human trajectories."
- Roberto Pazzi
by Kay Ziv
Ora Buerkli | Expression of Devotion
"Expressions of devotion have always drawn me in. I grew up in a secular Jewish home, yet from a young age, I was fascinated by acts of devotion. Today, I continue to be drawn to moments of faith and spirituality."
by Kay Ziv
ARTIST CATHERINE WINGFIELD PRESENTS
THE DREAMS OF LIONESS BLIXEN
A LONDON EXHIBITION ON LOSS, LANDSCAPE AND REBIRTH
London-based artist Catherine Wingfield presents thirty-one photographic works that celebrate the Danish author Karen Blixen (Out of Africa). For the project, Wingfield shot in locations across Kenya, Tanzania and Denmark, drawing on several years of research and photographic journeys to the places Blixen so vividly described in her book.
by Kay Ziv